Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of an...(展开全部)

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of an...(展开全部)

Providing a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.

Written by two leading film scholars, "Film History: An Introduction" is a comprehensive survey of film - from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling "Film Art", concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use pu...(展开全部)

Written by two leading film scholars, "Film History: An Introduction" is a comprehensive survey of film - from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling "Film Art", concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use pu...(展开全部)

Providing a collection of some of the most provocative and influential writings of film theory in the past thirty years, this anthology aims to provide a polylogue among theorists, deprovincializing the subject. Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by intro...(展开全部)

编者吉尔·内尔姆斯（Jill Nelmes），东伦敦大学电影学高级讲师，教授从本科到研究生的一系列课程，学术研究的重点包括性别与电影以及剧本创作。她是威尔士联合教育委员会媒体研究专业的监审员，近两年在加州大学洛杉矶分校研究剧本创作学并供职于洛杉矶电影界。关于本书其他撰稿人的情况，请见书中专页的详尽介绍。 译者李小刚，1957年8月出生，曾任职中国艺术研究院《文艺理论与批评》编辑部。1996年至今，任《世界电影》双月刊副编审。主要论文、序跋和导读多篇，散见《电影艺术》《青年文学》《文艺报》《世界电影》等报刊。发表的主要译文（含电影剧本）约50余篇，散见《世界电影》1994年至今各期。编著有《希区柯克经典悬念电影小说集》《九十年代世界流行影片》《鬼眼：世界经典恐怖电影小说集》《万事由来》（含合编）等。另有译著《权力伙伴：克林顿与希拉里的美国》《美国与东亚...(展开全部)

An Introduction to Film Studies is a comprehensive introduction to the study of cinema. This completely revised and updated second edition provides a guide to key issues and concepts in the field and also traces the historical development of film, while introducing some of the world's key national cinemas. Written by experts in the field and lavishly illustrated with over ...(展开全部)